Topics: Bowlive, Bowlive VIII, Bowlive VIII Night 4, Eric Krasno, Neal Evans, Alan Evans, Maurice Brown. Soulive Brooklyn Bowl, Brooklyn, NY Source 1: Schoeps cmc621 (On Stage, Split 12') - Sonosax SX-M2 - Sound Devices 788T - WAV Source 2: Schoeps cmc641vxt (FOH booth, PAS) - Sonosax SX-M2 - Sound Devices 788T - WAV Source 3: SBD (Avid Profile) - Sound Devices 788T - WAV Transfer: WAVs - SoundForge Pro 11.0 (Time Align, normalize) - Vegas Pro 13.0 (mix/render) - SoundForge Pro 11.0 (EQ, normalize. Source: On Stage Mics/Room Mics/SBD Matrix. Guys who know what they're doing but retain an appetite for the unknown, they've managed to produce that rarest of musical accomplishments: a record that sounds classic and forward-thinking at the same time.The quartet spent the latter half of 2006 recording No Place Like Soul with producer Stewart Lerman, who's also worked with such disparate talents as Loudon Wainwright III, Dar Williams and Vinicius Cantuaria. Throughout the expansive, wide-ranging 13-track disc, Soulive navigate this new sonic terrain with the expert abilities they've honed by logging countless hours on stages across the world. Outrage, one of the disc's two instrumental tracks, charges along on Krasno's fleet-fingered guitar work, while Mary slows things down a bit it's a laidback acoustic soul tune that should soundtrack backyard barbecues all summer long. In Comfort a head-nodding beat stirs in the flavor of the street, and in Bubble Alan pays tribute to Led Zeppelin's John Bonham. Waterfall kicks the album off in fine style, Toussaint expressing his need to wash my mind clean while his new bandmates chew up a deep Memphis-soul riff.
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